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Dynamite in a small package

RME MADIface XT II: Dynamite in a small package  · 


With the RME MADIface XT II, you get an astonishing channel count in a portable form factor, perfect for extensive studio and stage setups.

If you’ve used or owned an RME audio interface, you’ll know that the quality standard is extremely high across the board. From the preamps and converters to the headphone outputs, you can expect professional-grade signal transmission in both the digital and analogue domains.


The MADIface XT II is a versatile USB 3.0 MADI interface with an amazing total of 394 channels. While its analogue connectivity may be limited, both the line and headphone outputs are more powerful than the previous model.

RME MADIface XT II · Source: RME

The two sets of optical ports carry the main MADI I/O, and there is also a set of coaxial MADI ports. Meanwhile, there is word clock I/O and a breakout interface for MIDI and AES/EBU connections.

The usual RME features are also included such as DIGICheck analyzer, AutoSet Digital Gain Control, and SteadyClock FS. In addition, all routing management can be done via the TotalMix FX DSP mixer.

Overall, the MADIface XT II is a high-end digital solution that favours recording and live sound situations with extensive channel count requirements. MADI is a flexible format loved by professionals for its high channel count and low latency, so the MADIface XT II offers an impressive option for users of this level.

Pricing and availability:

The MADIface XT II is currently available for order from Thomann.

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RME MADIface XT II: Dynamite in a small package

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John Smith

My John Smith is a seasoned technology writer with a passion for unraveling the complexities of the digital world. With a background in computer science and a keen interest in emerging trends, John has become a sought-after voice in translating intricate technological concepts into accessible and engaging articles.

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