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Making music outside the box: 5 Ways to Go Dawless


Making music outside the box: 5 Ways to Go Dawless  · 

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Elektron

Looking for a life less DAW-dinary? We’re looking at 5 ways to go dawless in your home studio.

We can all agree that software offers more flexibility than hardware, there’s no doubt about it. But, does this guarantee a creatively fulfilling experience? That’s what we’re here to discuss.

Another immediate argument that arises is that using a DAW system allows you to work faster than previous music production mediums, and for the most part this is true when it comes to the average home user.

Dawless Music Production

If we look at record production from a historical perspective, however, it was never a slow process. From the now, seemingly archaic era of acoustic recording to the years of magnetic tape, the records were always made quickly.

Of course, there were bands like Fleetwood Mac and Pink Floyd who were known for having a lengthy creative process. But when it came down to it, the actual recording, mixing, and mastering stages were relatively breezy.

It all depended on the aptitude of the engineer, who was often on the clock with pressure from the record company and reputations at stake. In short, things got done, and magnetic tape wizards like Butch Vig produced many an album without the help of a DAW.

5 Ways to Go Dawless

Today, there is very little music made without a DAW. As both mixing and mastering engineers favour the flexibility of software-based workflows, there is still room to focus on how exactly the music is made. Let’s look at some options you can try at home.

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1. Hardware Sequencer

While, most of us have a few synths, grooveboxes, samplers, or drum machines lying around, there isn’t always an easy way to sync them up. A simple hardware sequencer like the Beatstep Pro is a great way to work with electronic instruments old and new.

Arturia BeatStep Pro
Arturia BeatStep Pro

It might be limited by the lack of polyphony. However, it’s still a great starting point for your hardware setup, especially if you are new to music-making or breaking away from your DAW for the first time.

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2. Digital Recording Console

If you’re working with live musicians, you may have to do a fair amount of tracking at a rehearsal space or venue. With a compact digital recording console like the Zoom LiveTrak L-12, you can do basic tracking and mix a rough demo in a single session.

Zoom LiveTrak L-12
Zoom LiveTrak L-12

Storage is provided with an SD card slot, and each of the eight mic preamps has a built-in compressor. What’s more, there’s a digital effects section with a selection of 16 different effects and the 5 headphone outputs add plenty of value.

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3. Workstation Keyboard

As producers like Timbaland have shown us, you don’t need to be a keyboard virtuoso to create music with workstation keyboards and samplers. They don’t come cheap, but workstations such as the Kurzweil PC4 are incredibly versatile.

Kurzweil PC4
Kurzweil PC4

From sampling and synthesis engines to a powerful multitrack sequencer with an extensive sound library, you have all the tools you need to produce your tracks. What’s more, the PC4 is also an intuitive tool for live performance.

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4. Multitrack Sampler/Sequencer

Every hardware setup needs a brain. For many artists, the Elektron Octatrak provides the perfect balance of performance-orientated features and sequencing power.

Elektron Octatrack MKII
Elektron Octatrack MKII

Rather than going the VST route like NI or AKAI, Elektron has kept things distinctively old-school, while still offering enough editing and sound-shaping features.

It might not have a sound library or great onboard effects, but it has the potential for multiple creative production workflows.

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5. Eurorack Synthesizer

If you aren’t dealing with budget constraints and like to customize every aspect of what you do, a eurorack system offers endless potential for sound design, music production, and performance workflows.

Erica Synths Techno System
Erica Synths Techno System

You can purchase a complete system, which may in fact be more cost-effective in the long run, or build your own module by module. The range of sound generation and manipulation tools as well as effects available is simply staggering.

What’s more, hardware tends to retain its value, so you can always sell, trade, and swap out modules as you go.

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More about going Dawless:

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Image Sources:

  • Arturia BeatStep Pro: Arturia
  • Zoom LiveTrak L-12: Zoom
  • Kurzweil PC4: Kurzweil
  • Elektron Octatrack MKII: Elektron
  • Erica Synths Techno System: Erica Synths
Making music outside the box: 5 Ways to Go Dawless

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John Smith

My John Smith is a seasoned technology writer with a passion for unraveling the complexities of the digital world. With a background in computer science and a keen interest in emerging trends, John has become a sought-after voice in translating intricate technological concepts into accessible and engaging articles.

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